Though a friend, ns was informed of a Hammond organ and also Leslie that were totally free for the taking around a year ago. It transforms out the the instrument was a Hammond H-100. This was a “home” variation of the B-3. Choose the B-3, it has a full collection of tonewheels. Unequal the B-3, it adds numerous “orchestral voices” that are really not really emulative. The body organ from a financial standpoint is worthless. While the does the tonewheel thing similar to the B-3, the is no really a B-3.

You are watching: The synthesizer is a very easy instrument to categorize

The Leslie is an interesting beast. It’s a Leslie 222. This is the “home” version of the 122, and is laid the end horizontally rather of vertically. The treble rotor is next to the bass rotor, so the whole thing is around the dimension of a typical high-boy Leslie turn on the side. This one is perfect in “Provincial Walnut” It has actually a pipe amplifier that looked as new as the work it was developed when I opened it up – no a speck the dust inside.

The Leslie was really noisy with static, pops, and a hum too! ~ 40 years, all the capacitors were quite shot, so it to be time for a rebuild. Ns ordered a rebuild kit and instructions from here. They have actually rebuild kit for organs and Leslie speakers of every types. Their 122 kit had everything needed to fully refresh the amp.

So, after storing the in my studio for a year, i got tired of looking in ~ it and decided it was time to move it along. I adhered to the directions and also replaced every the capacitors with fresh modern ones (that’s every the Orange autumn in the picture). Among the strength supply diodes was additionally fried, so I replaced all 4 of those as well.

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I had a frustrating walk at very first until I placed a bigger pointer on my soldering iron. The old leader were sort of chunky and just needed an ext surface area to transfer the heat. As soon as I was going, that went quite quickly. The nice thing is that the schematic is printed on the next of the amp, and it is also available on-line. This made verifying all the parts and also their location an extremely simple.

The amp operated correctly as quickly as i turned that on. Every the magic smoke remaining inside, and also it is ready for an additional 10-15 years of service.

There is something come be stated for the serviceability of a fine pipe amplifier. Every the parts are readily available, frequently with much better parts than were available at the moment of construction. The occupational is simple, and anyone who deserve to solder can conveniently complete simple maintenance.

The organ and Leslie space on their way to mine neighbor, who used to play, but hasn’t had actually a tool in years. It will certainly be good to move this the end of my space and onto its next owner. Ns will absolutely be happy to have the floorspace back.

For my very own use, ns think I’ll simply stick come emulators. Over there is magic in a perfect maintained and also updated tube Leslie matched with a good and totally restored B-3. Over there are additionally not that countless of them, and they call for maintenance. B-3 maintenance is a whole different level or maintenance 보다 a pipe amp. Not really gift a Hammond player at heart, the emulations room frankly an excellent enough because that my purposes. I’d fairly spend my tool maintenance budget on my piano. Placing a screaming organ behind part distorted guitars appears to occupational fine through VB-3 or the B-3 emulation built into Apple’s Mainstage. Both are rather serviceable. There is a little bit of magic the happens through the sound bouncing roughly inside the room, yet not having ever before played the genuine thing, ns don’t miss out on what ns don’t have muscle storage for.


In the critical post, we disputed a framework for evaluating musical modern technology that centered roughly how fine it facilitated artistic vision. I have actually been reasoning a lot around this because of a fluke decision of equipment issues in mine studio. Camel Audio made decision not to save the Alchemy synth software application going, my box of knobs failed on a firmware update, and also my Bowen synth no much longer turns on. In every cases, the manufactures have actually been helpful, yet equipment or software program that ns use regularly suddenly came to be “unavailable”. In no method does it stop me native making music, or being creative. Yet it bring away time and also money to remedy or change the shed capability. Mine trombone doesn’t carry out this in the exact same way, or my timeless guitar – despite in fairness, both might easily be ruined through careless handling. The net an outcome has been the I’ve to be considering how I’ve invested right into musical tools and technology and have actually been thinking about how I desire to place myself relocating forward.

As i think around categories of investment I’ve made, i make numerous observations:

Software is the least permanent, whether synthesizers or DAWs, effects, etc. Versions come and go. Apple updates OSX every year, as Microsoft does through Windows. Digital rot is real, and in most situations it is “upgrade or die” where document formats and software are concerned. There is a actual ongoing expense of doing this of time and money. Yes, one have the right to “freeze” a mechanism at a minute in time and use it till the hardware dies, but it doesn’t adjust anything – that merely makes a full upgrade of all hardware and software at when inevitable. I’d rather pay the tax progressively as tech is so disruptive as soon as it is no working. Software is basically worth it in terms of instant and continuous use. Software program things that room not going to see regular use just aren’t a great investment unless matched v cash flow from a project. Over there is simply too much drift and also loss with time for this to it is in strategic for me. I have actually mid-term investments into Cubase for my orchestral template and probably 150-200 hrs of working on that. DAWs won’t walk away, but try telling a composer the or she has to move your templates…. Possible, yet no fun, and also a significant interruption come productivity.

Computer based controllers should be reasonably priced hence – castle too are tied to operation systems and also digital rot. The is unlikely the I will certainly be using the very same box of knobs and also buttons in 15 years. If I acquire 3-5 years of hard use, I’ll most likely be glad, and I must keep these things in inspect accordingly. The Ableton push is also in this bucket. Useful if used, yet it will certainly not have actually a lengthy shelf life family member to a piano or high-quality microphone.

Orchestral sample libraries space pretty stable, and do not soon go obsolete. As time marches onward the programming and also scripting improves and also the state that the art moves forward. The price of buying a finish “virtual orchestra” in ~ the state-of-the arts is high, yet promises 5-10 years of commercially viable capability. In this world, continued accessibility and updates to native Instrument’s Kontakt sampler is a an essential part of the infrastructure, along with Vienna’s Ensemble Pro software application that distributes load throughout my computers. Those space dependencies because that which no perfect alternate exists. This totality industry is made of tiny players compared to the large MI companies favor Korg or Yamaha or Roland. Again, there room maintenance costs, but beyond a certain point of having actually the essential orchestral palette, having every possible flavor is not a strategy goal for me. When some expansion of my sample library is inevitable, I take into consideration myself pretty fine invested and also there is a nice high bar because that me come consider including additional things at this point. Certainly, i am no significantly restricted in what I have the right to compose and turn out at a professional level.

Electronic tools like my Bowen Solaris synthesizer are supposed to offer a stability and also longevity the exceeds software. Through virtue of having a committed firmware the is stable, the idea is that this type of equipment leaves the factory in full working order and also keeps working until physical failure or mechanical damages intervene. Because there is no an operating device to update or various other software come conflict, hardware does tend to it is in much more stable and reliable. Equipment like this works just fine without recurring updates. It functions the exact same every time. That said, mine Bowen is currently sick. It will be addressed – man is a an excellent guy and really responsive. But what about 10 years from now? that is cynical that it will still be made new. It is unlikely the there will be a parts depot for crucial parts. Unless it is a basic power supply issue, the truth is that it will most likely not it is in repairable. So, I check out both sides with hardware synths, and embedded systems favor audio interfaces. The is particular that USB has and also will outlive everything OS Microsoft and Apple do this year, but these are likewise not most likely to be roughly in an additional ten years. Even with hardware, many things that us take for granted are really just tools of the moment,and need to be justification by significant and immediate use.

I would tend to categorize the Seaboard in this group as well, except that it offer a different duty for me. It’s lengthy term viability is unknown, though i wish Roli maximal success, together it has software suspended on OSX. The cannot occupational without a computer. The said, this is on mine “R&D” list. In order come be at the prior of progress, one need to be in ~ the front of progress. Over there are several ways come be there in software and hardware. No one of us can shot or very own every product. I want to be associated with this one and it fits mine situation, so whether i am play it in 10 years or not, I will certainly have had an endure at the forefront of a brand-new era of controllers and also that is precious something to me, and also it is worth being component of that dialog. Over there is a basic shift happening in controllers, and it is necessary to electronic music and also musicians the these develop and are adopted.

Other species of digital hardware have the right to be much much more long lasting because of serviceable components and lack the digital components. Microphones, monitor speakers, amplifiers, electric guitars and also basses, analog recording equipment all autumn into this category. These items are seldom cheap, but are serviceable, many parts are obtainable apart native the manufacturer, and also much the this equipment can last because that 20-30 years, also with really regular experienced use. No all items in these categories have actually that lot life in them, however the ideal items definitely do, and also can last because that the better part of a career. My current monitor speakers are over 10 year old and still working really well. They have actually been a wonderful investment, and also I would need to spend a lot to do far better in mine room. The is definitely possible to make strategic invest in this category for devices that will see daily use. In ~ the exact same time, to buy highly dedicated microphones for infrequent usage isn’t precious it. Studio time is too conveniently rented whereby those piece exist.

Acoustic tools sit atop mine chart because that longevity expectation and also strategic value. Part instruments, like a grand piano, period at around the same rate as a human being being and one or 2 instruments deserve to last a lifetime. Acoustic guitars and also stringed instruments like violins and violas can last a very long time with proper care and also repair. Skilled wind, and brass tools are not as resilient as these instruments mentioned therefore far as result of mechanical complexity, yet can definitely be expected to last 7-15 year under heavy expert use with appropriate maintenance. Most experienced players would purchase new instruments prior to 7 years, yet this would be after countless thousands of hrs of demanding use, and at least in part due to changed requirements or tonal preference. If the hrs of use space reduced, many instruments deserve to last for decades.

It turns out that in our an innovation driven era, selecting equipment has imaginative implications and requires a variable investment profile with a mix the short and long-term investments. Selecting one’s ar on both artistic and investment dimensions is important. Part will have to be on the cutting edge technicality, and also their instruments and studios will be constantly moving mix of software and hardware. Archiving to WAV paper will be an extremely important for this team to avoid losing work come digital rot. For others, playing and also physicality are much more important, and for them, the range will tilt greatly towards an ext traditional interfaces and also instruments, serviceable electronics, and also longer-term investments – often at a larger expense per item. I suspect that the absolute expense is similar. Because that the $8,000 that takes to buy a fine experienced oboe, one deserve to buy and upgrade quite a lot of software, therefore it really is a matter of preference. I have actually become much more clear top top my choices by writing this. Exactly how do girlfriend think around investing in music instruments and equipment?


Manufacturers of every instruments have actually it pretty fine figured out. They just need to find a musician who have the right to do something impressive with the instrument, software or machine and do a video recording that it. From this, no end of “eager desire” deserve to be generated. The implied post is clear, “Buy this instrument/sample library/synth/whatever, and you will make impressive music too!”. Generally, the device in inquiry delivers exactly what it claims on the tin, and if approached through thought, significant amounts that creativity and physical ability, “impressive” is in ~ reach. In the last number of years, the market has actually been flooded through devices and software in the $200-$500 mark, and gear flies off the shelves. By modularizing the purchase price into tiny hits that $200-$500, the modular synth industry is undergoing a renaissance or sorts. This seems to host true from synths come sample libraries, come beat boxes, keyboards, and any number of cheap guitars, north sets, etc. By the moment the price access time $1000, sales volume drops off rapidly.

In part ways, for countless in the “first world”, the cost of new electronic and also software music “widgets” has actually reached a allude where new gear can be purchase regularly. For software, it doesn’t also take up room in one’s home, so the clutter can come to be invisible. This is very different than the civilization of physical instruments like trombones and also pianos, where it takes hundreds of dollars or tens of thousands of dollars to acquisition an instrument. Interestingly, when one has a fine concert instrument, over there is often tiny felt need for another. Added instruments tend to be concentrated on various other applications or considerably different ton colors. Through software, though, the tendency seems to it is in to keep including and save adding.

In one interview with Seth Godin, Krista Tippet uncovered a number of significant nuggets of assumed from Seth that sweet on the choice of technology. At part level, the usage of technology is innate in music making. Physical tools are one form of technology. Digital instruments like guitars and basses room another. Then we have the whole civilization of electronics, computers and software. If it renders noise, human beings will usage it for music, the seems. So how do we select technology for our music?

Seth offers several penetrating concerns for assessing technology:

Does this aid me hide?Does it carry creative risk and motivate front motion?Does it do me uncomfortable as an artist?Does it difficulty me in do art?

Technology deserve to easily assist us hide. The takes a many time to grasp most tools, making it far much easier to purchase ever before newer tools in a vain search for progress, once the progress originates from mastering what is appropriate in former of us. This phenomenon affects every artists that use technology from photographers, to musicians, studio owners, etc. Through the interconnectedness of the world, it have the right to be a part-time job just keeping up on al the latest breakthroughs in a ar – all easily accessible for purchase, and also all prove by who doing something amazing!

But, modern technology can additionally carry artistic risk and propel front motion. The Seaboard is this means for me. I know it is very expressive, yet how expressive have the right to I make it? Am i willing to discover out? There room no lessons because that it – the is as much as my own initiative. That looks in ~ me and stares, daring me to find its limits. Ns don’t know around its durability, permanence or the fate of the company. I should make things with that now, not later. Gift digital, it might not “keep” because that 20 years. That is a device of the moment.

Computers have been making people uncomfortable because that years, in addition to all the arcane software we have actually devised. This is one means that technology can hinder art. If we invest our time “geeking out”, that is generally a different an are than the an innovative impulse. Technology problems can absolutely distract us right away from finishing things. But, technology can also make us uncomfortable and also goad us. We might hear a new method to use something associated with run music, hefty metal, or whatever and think – castle haven’t begun to discover the kindness that i hear. Great or bad? I expect it depends.

Does it challenge me in do art? execute I wonder if I can measure up? for some, this is specifically what turns them off about EDM – lock feel the “anyone” can push buttons top top a computer. For others, the computer and also a sequencer are a unlimited playground offering continuous chance because that growth, experimentation and also forward progress.

In every one of this, “Musician, recognize thyself” seems to it is in the only lasting advice. I uncover Seth’s structure helpful, and also the inquiries insightful. My office surrounds me v music technology, and I have actually a big investment into software and musical electronics. I spend plenty of hours bending computers to my will certainly for mine orchestral template, my DSO project, and for composing and notating music. And yet, I have been climbing off the acquisition treadmill. Ns don’t really need anymore subtractive synthesizers. Ns don’t need one more string library. And I discover my attention relocating on from structure my layout to simply sitting down and using it. At some point we together artists must dominance the modern technology and bending it come our will – it must not be enabled to seduce united state from our mission of actually making things and striving to be more expressive and also effective in our art.


Just this week, Camel Audio, the makers of the Alchemy software synthesizer closed shop. This is a real loss to the synthesizer community. Alchemy provides a really unique mix of synthetic modes: additive, granular, spectral, and subtractive through FM likewise possible. The is a lot of power. Furthermore for me, the Galbanum architecture waves combine beautifully.

Now, my Alchemy instances space not going come suddenly simply stop working. They room 64 bit, and running well on every my computers, which room all up-to-date. I have the right to likely get several much more years that use. But, that is by no method assured. Every it bring away is one operating system update that provides a minor adjust to one library record Alchemy depends on.

The truth is the this afflicts hardware too, however to a much lesser degree. Hardware have the right to fail, chips or contents can be unavailable – there space many possible failure settings that would certainly render a machine inoperable or non-repairable. In the situation of mine Bowen Solaris, the is simply a rare machine – ns can’t go to etc Center and pick up a new one.

So, some kind of sound archiving is vital to preserve necessary work. The prize lies in sampling. The WAV format is most likely the single most universal audio layout we have. Every sampler works through WAV. There may be many problems with format, translation, etc yet there are an excellent tools prefer Chicken System’s Translator to aid with this. Software like Sample Robot can make rapid work that auto-sampling software and also hardware synthesizers. Powerfully, it deserve to modify multiple parameters come make certain the expressive potential of a job is caught as designed. In my case, for working with the Seaboard, i will should sample velocity layers and also then multiple push layers for each. Happy drive space is cheap and plentiful, and also organ-type of sound will have actually easy loop points.

I provided to wonder just how producers and also composers it seems ~ to finish up with substantial custom sample libraries. Currently I recognize – that is the just logical way to back up previous work and also all yet guarantee the it will certainly be available in some form in the future.

All regime related data files are at additionally at danger – DAW files, synth presets, configuration files or score records from Sibelius. These are all proprietary closed layouts that will become obsolete in ~ 3-5 year as products mature or stop to exist. Perfect projects have to be archived together WAV files and scores should be conserved as PDF or bitmap images. As soon as I think around how countless plugins ns have, and how regularly something is updating or transforming in some way, there is no other method to ensure that the calculation of a project remains available.


Many that the patches that I usage live v Omnisphere space pads or other sounds for which the sustain pedal is not a factor. I recently set up a sound, but that I want the sustain pedal to it is in active, however I couldn’t type it out at first. This write-up will describe what I discovered out v experimentation.

My VAX77 is set to speak to Mainstage ~ above ch16. This is the recommendation and default actions when in “Host Mode”. This reasons no end of symptom in a civilization that assumes MIDI ch1 is wherein the activity is. Ns seem to always find brand-new places that this presumption rears that is head.

Inside Omnisphere, I collection my patch come respond come ch 16, and also it played back fine, however the sustain pedal would not work. Mainstage’s MIDI monitor showed the sustain pedal coming in top top Ch 16, together expected. If I set Omnisphere to “learn” a brand-new MIDI CC, I could get the on-screen sustain pedal to move, but it would not affect the sound. Ns tried every little thing available, consisting of “set every learned CC’s come Omni”, but to no avail.

It transforms out that the answer is in Mainstage. I had actually to to mark the channel strip with my Omnisphere instance loaded, and also then change the MIDI Input settings on the “Software instrument Channel strip Inspector”. Watch below:

Under the “Input” area, readjust the Keyboard kind from “VAX 77” come “Multitimbral”. This will carry up the following dialog:

You will require to readjust the last heat so that the VAX77 is linked to Omnisphere ch 16. Now the sustain pedal works inside Omnisphere. Otherwise, somehow the notes walk to Omnisphere top top ch 16, however the controllers don’t. I don’t think I totally understand this, yet it works once configured this way. The mode wheel, etc. Additionally follow this pattern.


When it pertains to working with loops and repetitive content in a live environment, there really isn’t anything easier to usage than Ableton Live, specifically with any kind of of the hardware controllers constructed for it. I just picked increase the AKAI APC40. I chose it because I uncovered their keyboard controllers come be considerably nicer than the lot cheaper M-Audio ones, and also figured the construct quality would carry over. It did, and also I’m pleased v the feel of the pads and knobs.

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The best component is that Ableton is right now having an upgrade special. The Akai controller comes v a bundled version of Ableton Live “Lite”. After ~ registering, it, i was offered the chance to upgrade to the Suite or full version because that an extra $100 off the normal upgrade price. The bottom line is that this is the cheapest means to obtain Ableton and the controller. To buy the controller + the Suite is currently only $50 more than to buy the typical version + controller at constant prices.

If you are looking to jump right into the world of Ableton Live, buying the controller and then upgrading straight on Ableton’s site is the best deal roughly until Feb. 29th. All of the significant on-line retailers are sold out that the APC40, but my local music store had it at the very same price, so the was a win-win.

Like all innovative software, I’ve gained a discovering curve ahead of me on exactly how to leverage this tool, yet the basics are very easy with the control surface, and also I’ve got it triggering loops, etc. The controller look at complex, but is actually really simple. It enables one to control 40 loops top top one surface, conveniently organized into 5 “scenes”. This enables me to individually readjust out clips, or launch 5 clips top top a solitary button push. This enable multiple rhythmic and harmonic facets to fire in ~ once, developing wonderfully wealthy backgrounds and environments. The is additionally a fully-featured live looping setting where brand-new clips have the right to be videotaped on the fly and then manipulated through pre-planned loops.


As I discussed in my initial review, the capability of the VAX77 to incorporate with Mainstage was a far-reaching consideration in my acquisition of the controller. I usage Mainstage together the hold for a selection of Logic and external AU instrument, including Omnisphere. In this post, I’ll detail my experience in setting up the VAX77 because that use with Mainstage. Clear Mainstage setup itself could fill a whole blog precious of posts, for this reason this won’t be about Mainstage per-se, but about the interaction of the VAX77 and Mainstage.

The an excellent news is the the VAX77 does undoubtedly work an extremely well with Mainstage, and also the use advertised is delivered. I ran right into a few minor setup problems to get whatever working to mine satisfaction. The hands-on for the VAX77 is relatively terse when it pertains to Mainstage. Since they have actually done code integration job-related with Apple, the whole experience is pretty seamless from a VAX perspective. The manual’s instructions space pretty lot along the present of, “plug that in. It will work”.

When i plugged it right into a default key-board concert the ships v Mainstage, the had Rhodes patch play great. Ns was off to the races and also lost 30 minutes trying out the action, which yes, really is rather excellent, as noted in mine review. When I tried including Logic’s EV-B3 or Omnisphere, however, I could see the note on the virtual key-board move, but no sound would certainly come out. The MIDI monitor at the height of the Mainstage screen indicated the data was coming the on ch16.

This is where I erred. Over there is a parameter pointed out in the manual that overrides the Mainstage default channel. The hand-operated recommends setting it to “NONE”, but I uncovered that if I readjusted it to “1”, then whatever would work. If I collection it to “NONE” or “16”, then just the Rhodes would work. A quick email to Infinite response asking what i was act wrong listed the answer. Incidentally this happened in between Saturday evening and Sunday morning – absolutely a great response time. Here’s what lock told me:

“Setting hold override come 1 is no the best means to perform things.

MainStage speak the VAX77 come transmit on channel 16 during the handshake. In bespeak to have actually your MainStage tools recognize channel 16 friend must collection the channel top top the left side of the MainStage edit display screen for the keyboard and all controls and sliders. To mark each one then look for the connected channel number, click on it and adjust it to either 16 or 1-16.”

I had adjusted the channel on the VAX, yet what I needed to execute was make the channel changes inside Mainstage. Ns reset the VAX77 override to “NONE” and also opened up Mainstage come look at the assorted assignments. Every one of the main controls at the concert level because that the hardware were correctly set to “1-16”, therefore they would receive on any type of channel. Ns did have to assign the digital sliders top top the VAX to the eight knobs, yet that was straightforward with the “Learn” button. In ~ this point, I had actually a working VAX77 ~ above the EV-P tool (Rhodes), however not on something else.

As quickly as I started looking through my various other plugins in my main concert, the price was best there – lock were set to listen on MIDI ch. 1 as their “global” channel. My previous controller used ch1 as default, so ns never had actually to collection anything – the all just worked. Supposedly some the the logic AU instruments listen to anything, and also others are certain and have to be set. The EV-B3 certainly listens come ch1 through default. Together I went v each plugin and changed the MIDI channel come 16, everything fell right into place. Ns edited all my presets and saved the concert.

In my an individual concert I required to readjust the keyboard size come fit the VAX77 and map the sliders, as I mentioned above, but other 보다 that it works as advertised. Because that now, I have actually left the black key at the optimal as a program adjust “up” message.

I find that if I revolve the VAX77 ~ above first, then fill Mainstage and also my concert, everything works great. The VAX senses Mainstage and also changes native the “Channel Selector” watch of the integrated librarian to Mainstage automatically. Mine sets and patches room all provided and have the right to be navigated via the touchscreen.

If I rotate off the VAX when in organize Mode, leaving Mainstage open, and also then strength the VAX ago on, I finish up in the Library mode and can’t get ago to host Mode and also my concert. But, also if the VAX is in Library Mode, if I departure Mainstage and also restart Mainstage (without strength cycling the VAX), then i get back into hold mode. Ns presume that there is part handshake that happens when Mainstage starts the doesn’t happen if simply the VAX restarts. In my testing, if I loose power come the VAX, ns will likewise need to restart Mainstage to obtain everything earlier to normal. If I had to, and couldn’t afford to reload my patches in a set, I can spin the appropriate side wheel to acquire to MIDI ch16, and then every little thing is selected on mine laptop display screen in Mainstage is playable – ns just loosened the touchscreen. I can make that occupational if I had actually to until I had actually time to restart Mainstage. The ethical of the story for me is to start Mainstage after the VAX, i beg your pardon is straightforward enough. It would certainly be a really rare occasion to loosened power come the VAX, live independence of some various other gig-altering events, as also the power cord is no exposed come foot website traffic in my setup.

Edit: I’ve learned native Infinite an answer that over there is a really easy way to force the VAX and also Mainstage come re-synch if there is a power event. If you power the VAX off while connected to Mainstage and also then strength it earlier on, friend will keep in mind that her concert walk not load automatically. A rapid press that the blue button and it pressures a resync, and also everything is ago to functioning in less than a second. Very, really fast. Very, really easy.

While the on-screen touch sliders room cool, lock won’t be confused for the kind and quality that sliders you gain on a existing smartphone. I understand I could map them as body organ drawbars, however for me, castle don’t yes, really “drag” an extremely well unless I usage my little finger. Ns can, however, put any type of finger wherein I desire the fader come be and it will jump. I am not primarily an organist, so I have tendency to have actually patches that room the sound ns want, beat them, and then carry out a program adjust to something else. If friend are generally an organ player, any kind of of the many inexpensive knob/siider controllers can quickly be mapped. The screen is no multi-touch, therefore if you like to grab a fistful of faders, this isn’t going to be her feature.

With a tiny aiming practice, I’m sure this would be usable because that synth/parameter control . ~ above the VAX’s touch faders, ns can get smooth fades, but I don’t always “get the fader” on first try appropriate now. My fingers room thin sufficient to play between the black color keys, however I’m no yet comfortable that this is repeatably precise for performance expression. I find that my tiny finger functions pretty well, yet none of my other fingers reliably seize the fader and move the smoothly. At the bottom of the fader’s take trip I sometimes pick the controller number instead of the fader itself. Possibly the “error” zone about a fader needs to it is in larger. Countless iPhone controls have a considerable “error zone” that renders it so a user can’t miss out on with long fingernails or such. (Not that lengthy fingernails are typical for keyboard players) because that me this was not a purchase consideration. Due to the fact that knob/slider controllers are well under $200, i doubt this is a significant downside for anyone purchase a VAX.

It would certainly be significantly cool if the VAX learned the parameter names native Mainstage and put lock on the scribble piece for the faders. In fairness to infinite Response; lock only have actually two numbers there today, the MIDI controller numbers, so over there isn’t much room. Perhaps the names might be composed vertically, superimposed ~ above the fader track. As soon as in fader mode, the truth that girlfriend don’t recognize what you room adjusting there is no counting controls top top Mainstage makes it somewhat less useful. I mean that just like a physics fader box, you can program every little thing so that the exact same slider controls cutoff, resonance, etc in all your patches and also AU/VST’s, and also then the absence of naming wouldn’t matter. Again, not a deal-breaker for me.

That said, the touchscreen is quite helpful for selecting sounds in Mainstage and also provides a an excellent interface because that setup. It has actually been totally intuitive, and works flawlessly. Ns don’t ever before get the patch over or below what i think I’m selecting. The display screen responds fast in the warm of a gig, and is intuitive. It is also easy to usage to set up the VAX, and also touching a parameter to adjust it is fairly natural. This is a much better solution the a an easy alpha/numeric screen with some cryptic menu that you need to use the manual to understand.

Because I use Mainstage to host whatever I play v the VAX, I will not be reviewing the integrated librarian. The VAX77 has flash memory that can store patches and also MIDI setups for numerous external synthesizers, samplers, etc. You can load in patch surname lists via midinam files, and also even lay out the digital sliders to patches. It seems well-thought the end enough, but this is not my world. In practice, girlfriend either usage “Host Control” come use through Mainstage, Receptor, or some PC hold I’m not familiar with, or you usage their librarian software, yet not both in ~ once. Page 56 in the hand-operated covers this in depth if you are in this situation and there are several options. I’ll leaving it for someone that gigs v modules or hardware synths to cover the librarian, if they usage it. It seems that MIDI is sufficiently flexible that there space any variety of ways to adjust patches efficiently in a stage rig, and it is a fully personal decision where you choose to save your spot list.

What is strange is that I can make screens from the Librarian show up also if ns am in Mainstage/Host Mode. If in Mainstage mode I press the environment-friendly button, it opens up the librarian job selector. Friend can’t departure this mode without choose a patch, climate deleting it and re-entering hold mode. It took me a few minutes to number out how to get out of this menu once in it. Provided that Mainstage and also Librarian space not recommended to be supplied together, i contacted Infinite solution and asked if this was by design, or can be changed. I obtained an prompt response ago suggesting the a push of the green button send a user configurable control message. A 2-sec press-and-hold would go into the Library for several of their users that perform use both in a set. This seems to accommodate the specialized Mainstage user, getting a valuable button/eliminating a possible user error, and someone utilizing racks of exterior synths. If Infinite an answer implements this change, I’ll use the new button to start/stop a loop recorder or as a madness tempo. Infinite response seems to it is in a very responsive company.

Overall, I need to say that utilizing Mainstage with the VAX77 is easy and satisfying. The main thing is the the keyboard action is really expressive. This is the main allude of a keyboard instrument. The patch selection via touchscreen functions great, and there space (9) optional touch controls if you desire to usage them. I have a Korg Nanopad that I usage for triggering Ultrabeat loops for this reason that i don’t loose any of my VAX77 secrets to triggering samples. It would be simply as straightforward to add a knob/slider crate for real-time parameter control if you to be unhappy v the touch-faders. I’m sure they will job-related fine because that many, but it will certainly take more experience prior to I trust them for crucial parameters. Physics knobs and sliders simply work for part things…. I had actually a boy initial setup issue caused through not completely thinking with the VAX’s MIDI channel that 16, yet that is nothing to hold versus the controller or limitless Response. You will desire to do your own trial and error on assorted power and also USB cable disconnect scenarios between the VAX and also Mainstage, however I am satisfied that I have the right to play mine sets so long as I have actually power. I know just how to get everything re-connected in host Mode (push the blue button). Friend will invest far much more time adjusting your Mainstage concert parameters and plugins to meet your musical goals than you ever before will messing v the VAX and Mainstage. Together the hands-on indicates, it simply works.


Probably two years earlier I to buy a Korg Nanopad (black) come mess around with drum stuff in Ultrabeat. I offered it a bit, and also then it was collection aside for quite a while. Ns remembered it recently and also thought that it would be perfect for triggering Ultrabeat loops from Mainstage, for this reason that i don’t have actually to loose any secrets on my VAX come triggering samples. My believed was to map one pad because that tap tempo use, and also the various other 11 could be provided to trigger samples.

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This was a great plan until I plugged the Nanopad right into my Mac. Every time i pressed a pad, ns would obtain a seemingly random MIDI note, and also even keep in mind triggering was sporadic. Ns tried downloading Korg Kontrol to remap the hardware. No improvement. I did an alert that the octave designation is turn off by one octave in between Korg Kontrol and also Logic. Once the Korg is collection to A-2, it mirrors up in Logic as A-1. This is easy enough to acquire around, however if the root cause aren’t consistent and repeatable, what is the point?

I tried acquisition it personally to watch if there to be anything wrong, or probably dusty, yet that didn’t revolve anything up. I tried poignant the sensors directly, without the rubber pads, and also it functioned a little better, but still not 100%. Ultimately, I uncovered this article which argued peeling ago the height sensor layer. I did the over the length of the totality controller due to the fact that only among my pads was working correctly and also repeatably out of twelve. I made certain not come touch one of two people the black product or the fine lines of the sensor grid. The film is rather sticky, for this reason I supplied a tiny screwdriver to pry the up, taking treatment not to damage the traces.

As soon as ns reseated the height film, whatever worked fine. It provides me wonder if gradually the height film adheres to the bottom film, and then the doesn’t occupational right any kind of more. At any type of rate, ns now have all twelve pads and also the X-Y controller functioning as castle should. Turn off to create samples!